Taylor Swift has managed to be wonderful always and, with the release of her new album, I find myself even more in love than I was before, which I had previously thought impossible.
Disclaimer, I have yet to listen to the full album, but the few songs I've heard are beyond stellar, and this post is about a specific song and the amount of love I have for it.
So, without further ado, I present to you my, line by line, review of Blank Space by Taylor Swift.
Important note: I have loved Taylor Swift for a long time, and so this may seem like another fanboy just lofting Taylor up to a new unfathomable level. So, while I am definitely a Taylor Swift fanboy, I don't hold Taylor in any higher regard than I do a friend, and as such acknowledge that she isn't perfection, even if she comes dangerously close to it.
This review, as stated previously, will go line by line, and will include commentary on the shots from the video, as I think the song stand alone is worth analyzing, as is the video, and together they complement each other quite well.
"Blank Space" by Taylor Swift
Nice to meet you, where you been?I could show you incredible things
This is a wonderful opener, I think, and it sets the stage for a song with a story. We hear Taylor meeting someone, and letting them know that with her they'll go on wonderful journeys. This is the kind of confidence that I would expect from Taylor. She knows she's capable of introducing this person to new things. Maybe I like it because it makes me think of, "I can show you the world, etc..."
Looking at the video as well, we see a model of a man (quite literally, he's a really down to Earth model from the one interview I read after he did this video) drive up in a wonderfully classy car (of which I don't know the make or model, but I'm not a car guy, so it's good). Our first shot of Taylor is on a bed, with breakfast on a platter. She's wearing a super classy night gown(? not sure on the term here), and is freshly woken, the sleep mask pulled up on her forehead. My first thought on the black gown was that it looked vaguely reminiscent of someone in mourning. The Black definitely contrasts the White of the bedroom, the cat, and the horses. Now, she's not actually just woken up, as I know very few people who can look that wonderful after having just woken up, but shh, this is setting the stage as the beginning of the journey (see day) she goes on with this man. Also worth noting, she's holding her actual cat, Olivia Benson. The next shot of Sean, the model, is him looking around realizing that this is actually an incredible thing, and then back to a wide shot of Taylor's room showing a quite spacious bedroom with TWO white horses, among the rest of the beautiful setting. Clearly she CAN show you incredible things.
Magic, Madness, Heaven, Sin
Now, I picked this line as the Blog title, because aside from loving other lines, this one sets the tone. Magic contrasting with Madness and Heaven contrasting with Sin. This tells us about the journey Taylor can take you on. It can be magical and it can be heaven, but there's a chance for some madness sprinkled in, and can't deny the sin. I think that while this is absolutely Taylor commenting on what the media portrays her as, it also gives a realistic view of relationships. Who is to blame for the madness or the sin, well it depends on who you ask. I'll comment on this some later, so let's move to the video for this bit.
The video is light for this line, we see Sean walking to the door, and Taylor walking to greet him at the top of this beautiful stairway of an entry. This is her second outfit. We can't tell too much, but it seems to be slightly see through on the legs, going for a more elegant and yet slightly, dare I say it, sexy look. This all corresponds with the lyrics, the entry way and her dress are magical and heavenly, but they have that edge of madness and sin to them. Seriously, you have to be mad to keep horses in your bedroom!
Saw you there and I thought
Oh my God, look at that face!
You look like, my next mistake
These lines, show us the initial thoughts going through Taylor's head upon falling for someone. We see that she immediately goes to any relationship being a mistake. This is terrible, and one of the sadder line of the song. We generally imagine people like Taylor being better at life than us, and it's wonderful seeing that she's acknowledging she isn't, even if it's through a song that's poking fun at the media and how they portray her. It's also worth noting, however, that this brings up a question. Is there something about him that gives away that this won't last. Perhaps his attention is feigned, or she's memorized the signs. Even if it's a fun song for her, it's worth questioning who caused the relationships to fail, which is not the image the media paints.
For the video, we cut to the bedroom where she's recalling the story, perhaps she's just gotten out of a relationship in these scenes, which would explain the "mourning" nature of her "morning" gown. I'm proud of that one. XD We're back at the top of the stairway, and she's swooning over the picture perfect face of Sean, who is seeing Taylor for possibly the first time, as in that quick shot we see a slight raise of the eyebrow which could be his attention being piqued by Taylor. Also worth noting, his face is stern, he's serious, and he's in it to win. She then makes her way down the stairs, with the grace and mysteriousness one would expect of someone living in this mansion. The dress we now see has a really interesting gap, where the fabric is patterned and see through around the thigh area. Still super elegant.
Love's a game, wanna play?
Love's a game. This gives way for his "win it" attitude. She's offering him a chance at love, and we're about to see if he wins or loses. This continues the poke at the media, as people tend to look at love as being romantic, not about winning or losing, but about finding someone right for you. The media has portrayed Taylor as someone who bounces around dating guys, and them losing. So we see her opening lines, "wanna play?"
She's at the bottom of the stairs, and facing Sean in the video. She starts saying "Love's a" looking down, and then looks up at the mention of "game", measuring Sean's reaction. Her look is almost cold, calculating. If there's a win for Sean, there's a win for her, and she's sizing up the opposition. Upon asking if he wants to play, we see Taylor's cocky side come out. She knows that she's going to win. Does she know the relationship will succeed or fail, and does it matter for her to win. Is she capable of winning in any situation? She offers her hand out to him, in the same way Riku reaches out for Sora in the opening of Kingdom Hearts, not moving forward, but standing tall, not yielding to the other party.
New money, suit and tie
I can read you like a magazine
So, this is probably one of my favorite lines, and that might be due to my loving "new money" as a term. This suitor of hers is new to the lifestyle of hers. He's all dressed up for her, and she can see right through the clothes. We find out that this isn't her first time in this rodeo of love, and she knows the plays before they happen. I wonder if she's good at strategy games, you know, noticing patterns in her enemies movements, and capable of being one step ahead of them. Anyway, the video.
We cut to Sean and Taylor drinking at a dinner table. The contrast between the two is worth noting. Sean drinks his drink without breaking contact, very rigid in his movement. What are his motives, is he trying to protect himself from Taylor for reasons that will make sense in the next line? Perhaps, he's trying to read her. Who is Taylor, and is she what the media is saying she is? She's more playful with her movements, almost teasing him. We see him covering his eyes but then looking up. Is he embarrassed, and is this him realizing that he can't hide. So far we have a fairly natural relationship. One party is more experienced and playful, while one side is more stern and slightly shy, being new to it all. Outfits for this scene, we see Sean ditch the white shirt for a black one, and Taylor is in a beautiful light blue dress with diamond like stripes, still maintaining the see through fabric around the neck area and the arms.
Ain't it funny, rumors fly
And I know you heard about me
So hey, let's be friends
I'm dying to see how this one ends
This line is pure gold. This is Taylor acknowledging the media and what it's saying, and also acknowledging that he's heard all of this. So she opens with "Let's be friends" which is safe. A friendship doesn't require the strings a relationship does, but has the opportunity to evolve into something more. The last line, "I'm dying to see how this one ends" is also a nod to the media, and everyone who consumes that. Tabloids and news outlets don't care about the in between, we're focused on the endings, specifically the bad ones. Here Taylor is pointing this out, commenting on the nature of endings and media.
We slightly see Sean leaning forward at the table, perhaps her acknowledgement has loosened him up. We see them dancing, as well as riding bikes around the living room.This is their journey, and we see that they've become comfortable with each other. They're having fun, and dancing, neither of which require long term commitments but are both signs that could lead to you opening up for more. She ends, looking at the camera, acknowledging further that the desire to see the end is a nod for the viewers/media who dwell on the failures. For the dancing scene, we see Sean now going the opposite direction of the dinner table with a white coat and shirt to complement Taylor's silver sparkled dress. They're in sync now. The bike scene has them in more laid back, East Coast style clothes. Comfortable with each other enough to drop the dress clothes.
Grab your passport and my hand
I can make the bad guys good for a weekend
I like the allusion to traveling here, and I think it ties in nicely to a later line. I also ABSOLUTELY love the way she delivers "I can make the bad guys good for a weekend" in her half singing half talking voice, with the slight, I don't know what to call it, but wonderful tone of "good". It's full of attitude and draws attention to the idea of bad vs. good. Perhaps, it's even a nod to the idea that maybe she's not the cause for the relationship failures, but that it's more the choice of guys and even Taylor Swift isn't capable of turning the bad guys good forever.
In the video, she's painting a portrait of Sean. He's in a more traditional tux, and Taylor is in a very classy business outfit. This moment, when the bad guy is good, is immortalized in the painting. Again, she turns to the camera when she delivers her line, and we see confidence as well as a hint at something more cynical. Which further makes this line the wonderful that it is.
So it's gonna be forever
Or it's gonna go down in flames
You can tell me when it's over
If the high was worth the pain
Here's the traveling again, and the trip's either never ending, or it's going to crash and burn. This is wonderful, because that's A) how most relationships are, and B) what we're led to believe about Taylor's own relationships. I understand that relationships can end mutually, but from what we're led to believe Taylor can't end a relationship mutually. So, she's already saying it won't end well, and informing the other party to let her know, after they've gone down, if it was worth the pain from the breakup. This is quite sad, because she doesn't have a choice of an outcome. All of this, of course, ties into the portrayal of Taylor as someone who dates and then breaks up, all to get a good song out of it.
The video here is interesting, because it starts with Sean smiling at Taylor. It's one of the few times we see him completely comfortable, and free of the stern look that's accompanied him the rest of the video. Also worth noting, he has a really cool cape that I absolutely want, even if I don't have a use for it... Taylor is dressed in a really elegant dress that billows to one side, allowing for easy walking. This is a good choice for when Taylor and Sean walk their three dobermans, which I think could very well be a nice allusion to Cerberus. I said that jokingly, but realized Cerberus is the watch dog of Hades, and if the relationships destined to go South then mayhaps this is a nice allusion. Also, Dobermans have a history of being used as guard or police dogs, which backs up the Cerberus thing, although more recently they are more suitable for family life. This could be a desire for the relationship to actually win out, or just a screenshot of the moment when the relationship was winning out.
Got a long list of ex-lovers
They'll tell you I'm insane
'Cause you know I love the players
And you love the game
First, I think I'm one of the few people who heard this line correctly, and not as "Starbuck's lovers." Next, here we see Taylor commenting on this dating left and right thing we hear from the media, always out with a new guy. She also points out that these ex-lovers of hers won't worry about talking about how insane Taylor Swift is. THIS is an important commentary on gender roles overall. It's always the women who are insane in relationships. Perhaps I only hear and see the guy point of view here, but I haven't ever heard a girl complain to me about the insane guy she was in a relationship with. On to the comment about loving the players vs the game. The meaning can change based on which Taylor "I" is referring to, the real one or the commentary one. Same for "you" who could be either the partner in the relationship or the media. I think this is a Schrödinger's cat situation. Without Taylor telling us specifically, all the possibilities are true.
The video for these lines shows Sean and Taylor riding white horses. Their outfits are typical riding outfits, with Sean wearing a vest, which I absolutely want. The most notable thing here is the shot of Sean glancing up at Taylor, with his ever stoic face. It's no wonder he's a model, he's got the looks down really well.
Cause we're young and we're reckless
We'll take this way too far
I just like this line, because it's acknowledging that perhaps the relationship should have ended sooner, but when you're in a relationship you don't think about things like that. Plus, it's super easy to get swept up in all the wonderful feelings that come with a relationship.
Here, we see Taylor running with a beautiful full dress, and Sean in his tux is chasing after her. This brings out the "reckless" she's referring to. Running after one another regardless of the formal attire they are wearing.
It'll leave you breathless
Or with a nasty scar
She's been very clear, and honest about relationships through the whole song. There's a chance for magical moments that take your breath away, but there's the possibility of the crash and burn that leaves the scar.
This is one of my favorite shots of Sean. The way he's looking after Taylor just feels so full of wonder. He's probably realizing that he loves this woman. The cut back to Taylor shows her pan up at the mention of scar, as though she's saying that's exactly what will happen. Especially when portrayed by the media as someone who burns through guys.
Got a long list of ex-lovers
They'll tell you I'm insane
But I've got a blank space, baby
And I'll write your name
So the last two lines here are new, and they bring the idea of a blank space. It's as though she's got Taylor and ______ written, waiting for her significant other. However, her willingness to write his name shows that it's not something that she's waiting for. How many names have filled that blank space, and will it ever be anything other than a blank space? Perhaps, it's even showing that she easily trusts guys, and makes herself vulnerable, writing their name in the blank space, trusting they're the one. That's only if we look at this song, not as a commentary on the media's portrayal, but rather as a song that is true to Taylor's character.
We see Taylor putting up the painting of Sean, in a very pretty (makes me think housewife for some reason) dress. This isn't the only painting in the hall, so maybe the insanity has already set in and she's beyond obsessed with him. The way she points at the painting is super adorable, just saying. Thing to note, the painting behind her has a small ax-like weapon across the face. We'll see this later, but is this a mistake, or was it planned to show us that even though she's still in this perfect relationship world it might not actually be a perfect relationship world. We then see Taylor etching Taylor + Sean inside a heart on a tree. Taylor's got a really cute outfit, and Sean is suave as always. They're chemistry here is in sync. We see them kissing under a gazebo, this must be right after he chased her earlier, based on the outfits. These outfits, the gazebo, and the doves flying out from behind the tree, all have a wedding feel to them.
Cherry lips, crystal skies
I could show you incredible things
Cherry lips and crystal skies, I think, are talking about the passion and the smooth sailing of the relationship. I think that bringing up the weather is a perfect way to go into this next verse, as we're now completely in a relationship. The first verse introduced our two characters, and now we see them in a loving relationship. Even still, she's capable of showing incredible things.
Sean and Taylor are now at a picnic. Sean seems to be preoccupied texting someone, while Taylor's head lays on one his legs, a loving look on her face. They're dressed in nice, summery type clothes, for the picnic, and I want the shoes he is wearing for myself. The lack of attention Sean is paying to Taylor contrasts the crystal skies of their relationship.
Stolen kisses, pretty lies
You're the King, baby, I'm your Queen
So, I love the phrase "Stolen Kisses". It's one of those phrases that is generally used for people in relationships, but also denotes the idea of taking a kiss from someone when they aren't expecting it. So, in a relationship it could be super cute. Say someone's watching the game, and their partner sneaks in a kiss that wasn't expected. It's adorable, because it's spontaneous. It can also be kind of negative, as stolen tends to be. Someone can steal a kiss from someone they aren't together with and it might not be welcome, hence the "steal". Pretty Lies makes me think of Pretty Little Liar, even though I've never watched the show. Haha. Pretty lies, honestly though, is similar to white lies, but slightly worse. A white lie is generally told to hide something worse from someone, a pretty lie is just dressed up to avoid being questioned. These I think are dangerous as the truth behind the lie could be crucial to a relationship, but they aren't questioned because of the way it's told. So we're again given contrasts of good and bad, and the great and floundering relationships.The use of King and Queen make me imagine actual Kings and Queens and all the court going ons, what with the secret lovers and the pretty lies throughout the castle. Again though, it's generally a cute thing.
We continue with Taylor and Sean at the picnic. She's still super adorable, and he's still focused on his phone. Probably playing Candy Crush or something, granted it could be a text to his secret lover. We'll never know. We do know that he's not giving Taylor the attention she needs.
Find out what you want
Be that girl for a month
Wait, the worst is yet to come, oh no
This is again, another interesting line. Here we see that perhaps Taylor, who's used to this relationship game, has been doing just that playing and winning. She's clever and finds out exactly what the other person wants from the relationship and she plays along, but only for a while. So we're left to question if this whole relationship has been planned by her from the start. Is this an elaborate ploy to get a good song out of the deal? Which is beyond the greatest thing, because that is exactly what we see from the media. Taylor goes on dates and what not for the sole purpose of getting song ideas.
From the video, we see Taylor up on the balcony, with Sean down below looking up at her. "It's over Anakin. I have the high ground!" she can be heard screaming in the distance! Ok, maybe she isn't actually saying this, but she does here. So, is her high ground a moral one, that she's trying and maybe he isn't which causes the relationship to fail? Or is it a power play? She's played her cards right, and at this point is clear to win. The next shot is back to the picnic, but wait, she's finally noticed that he's into his phone more than her. She's upset with the cutest upset face possible, which just tells you how adorable I find her. =D Regardless of that, we now know that things are about to get fun, both in the music and the video.
Screaming, Crying, Perfect Storms
I can make all the tables turn
Rose garden filled with thorns
Keep you second guessing like
"Oh my God, Who is she?"
I get drunk on jealousy
But you'll come back each time you leave
'Cause darling I'm a nightmare dressed like a daydream
So, that's a lot, but this is because of the video portion of this. If you've seen the video you know.
This is out first line of actual discord in the relationship. Fighting with each other, ending in someone crying is a typical thing for relationships on the down and out. Perfect Storms, however, is an interesting phrase. Perfect Storm can conjure up many different images, and I think that's something that's best left to the individual, as I don't want to steal your own chance at images from you. The next line is one of the best ones in the song mainly due to the wonderful use of "the tables have turned." Here, we see that Taylor is in complete charge of the tables. Again she's in charge, she knows how to turn every argument in her favor. She knows how to make herself the victim for the purpose of gaining a hit single. Next, we're not sure if the she's the rose garden or the relationship. Either way it looks great, but once you enter you see all the thorns and find out that it's actually better used as a torture device than decoration. This causes her partner to begin question who she is, as it's nothing like the Taylor they met and started the relationship with. She admits that when she gets jealous she reallly gets jealous, but informs us that regardless of how jealous she can get they always come back to her. This is due to the rose garden being super beautiful and captivating. The line she uses however, is the best line in anything I've ever read or heard (maybe an exaggeration, but it's close). She's definitely a daydream. She's someone people dream about, loving, kind, talented, beautiful, smart, and so much more. However, she's actually a nightmare and when you get to know her, as you do in a relationship, you see this. Well, that's the Taylor that people want to believe, and that's what we see when the media tells us about her "recent string of lovers". It's also another one of those half spoken lines which I love so much about Taylor.
The video has her and Sean back in the house, this time the living room where we previously saw them riding bikes. Taylor and Sean are fighting, with Taylor screaming at him, she's obviously the main contributor to the fight. The look on her face when she makes the tables turn is
determined, as though she's not going to lose this and want him to know that. The hand motion of turning the tables is pretty great too. This video portion though creates a great contrast for what I initially thought on hearing the song, in the video Taylor screams "Who is she?" as opposed to Sean, which I originally thought said it. So maybe Taylor's justified in being upset, and when we actually see what's happening we see that, but if we just listen to what we're told we miss that part of the story. This is totally me reading more than needed to though. Final thing of note here, aside from tossing the bouquet, is the way she grabs his face when saying the nightmare line. It's perfect.
So it's gonna be forever
Or it's gonna go down in flames
You can tell me when it's over
If the high was worth the pain
Got a long list of ex-lovers
They'll tell you I'm insane
'Cause you know I love the players
And you love the game
'Cause we're young and we're reckless
We'll take this way too far
It'll leave you breathless
Or with a nasty scar
Got a long list of ex-lovers
They'll tell you I'm insane
But I've got a blank space baby
And I'll write your name
There's not a ton to talk about here, as I've commented on all of this, but it's worth noting that now it's in a different light. It's not so much an omen, but more an ultimatum at this point. The relationship is going down, but it's up to her partner if he's going to stick it out. Upon listening to this to the billionth time, I realized that perhaps I had the original intent of blank space wrong. The Blank Space denotes the inspiration for her next song. She's not looking for love, but rather, she's looking for him to ruin the relationship, even if she has to turn the tables to do so, so that she can fill in her next song with his name. Way to go Taylor. I listened to this a ton of times before it made sense.
In the video we have a lot going on. Taylor has crossed the line into insane. A lot of shots involve her crying in front of the fireplace, her makeup smeared down her face, and yet she's still the epitome of beautiful and adorable. The weirdest thing in these scenes is the doe. Just chilling there. Perhaps it's a symbol yo, look it up. Haha. We see her also ruining Sean's things, and things that remind her of him. She drops his phone in the fountain, she cuts and burns his clothes, eventually tossing them out the window, and she attacks the pictures she painted of him, specifically the one we saw her hang up earlier. The ax in the other picture is still there, so at least it the continuity isn't broken, we'll see it up close later.
Boys only want love if it's torture
Don't say I didn't say I didn't warn ya
Boys only want love if it's torture
Don't say I didn't say I didn't warn ya
This marks the third verse, and like any good trio, the third one breaks the model. I learned that in an English class in college. I did learn more than that, I promise. I just felt like giving credit on that one. The rhythm for the lines is different, and words are sung separately rather than all connected. The lines themselves are interesting too. I think it's worth pointing out the use of boys as opposed to men. Boys tend to not have the maturity to properly pursue love, and whether conscious or not, tend toward relationships that are torture. These lines are up for debate, and should be noted that they come in a song that's entirely making fun of media perception, so it should be taken with a grain of salt, though I still really like the lines.
For the video, we see Taylor manipulating an apple, and Sean reacting as though it's him. An apple is an interesting choice, especially for the symbol of sin that goes with it. It's also worth noting the red, which is passion and love. Again, great contrasts, and wonderfully picked for the video. We finally see the picture with the ax in it, and we also see painting that are marked up with paint and scratches. He notices the painting right before she bites an apple and he spits one out. Is this her embracing the sinful aspect of the apple, while he rejects the love in this moment? Worth questioning.
So it's gonna be forever
Or it's gonna go down in flames
You can tell me when it's over
If the high was worth the pain
Got a long list of ex-lovers
They'll tell you I'm insane
'Cause you know I love the players
And you love the game
'Cause we're young and we're reckless
We'll take this way too far
It'll leave you breathless
Or with a nasty scar
Got a long list of ex-lovers
They'll tell you I'm insane
But I've got a blank space baby
And I'll write your name
The final time, here the whole thing is definitely in flames. There's no going back, and she's got all she needs to fill the blank with his name as her latest failed relationship.
We cut to her attacking his car with a golf club, such a nice car too. She really goes at it, losing her balance, and just crying and actually getting a nice shot of shattering the headlight. Seriously it's pretty cool. Some of the scenes where she's crying out are really great too, she's got wonderful facial expressions. Can't fault her there. Some other scenes, we're back to her bed, like in the beginning, although this time she's got a knife and heart cake, which erupts in "blood" when she stabs it, ruining the white cake and probably the sheets too. Several shots have her straddling Sean's unconscious(?) body with one foot in the car. She steals a kiss from him, with a sensual lip bite in the process. I do enjoy her standing on the back of the horse, yeah she owns the place. AND MY FAVORITE SCENE of all. She chops the tree where her and Sean wrote their names in a heart. And then she gets upset and does the cutest little fit, which in her heels causes her to stumble a bit. I love how cute it is, but every time I always worry about the ax she's holding. We see Sean drive off in his battered car, the rim of his wheel spinning off to the side as he goes. We end with a new car pulling up, and Sean 2.0 getting out of it, and then the stare down between him and Taylor similar to the start. Taylor smirk and cut!
OVERALL IDEA:
PERFECT
Feel free to discuss, thank you immensely if you read all of this. It was mostly fun. I really do like this song a ton. =D
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